Reviews

02/07/2019

Schumann: Symphony no. 4

“The Greek conductor Zoe Zeniodi does not resemble 'Emmanuele Haim, so we get a different repertoire for her younger age. But, like Haim, Zoe deserves to be called Mrs. Dynamite."
02/07/2019

Bogota Philharmonic Concerts

“Discovering this young and temperamental Greek conductor, Zoe Zeniodi, was a revelation that I won’t soon forget.”
02/07/2019

Clara Schumann: Piano Concerto

“The audience of more than 1,000 people immediately connected with the intensity of the French pianist Lise de la Salle and Zeniodi who moved everyone to tears. . ."
25/03/2019

Tchaikovsky: Symphony no. 5 – GTYO

‘Not in one’s wildest dreams would a youth orchestra perform Tchaikovsky’s firth symphony in such an interesting and successful manner
25/03/2019

Tchaikovsky: Symphony no. 5 – GTYO

‘The night culminated in an unexpectedly thrilling performance of Tchaikovsky's 5th (also aided by the excellent acoustics of the venue
25/03/2019

Sleeper: Through a Glass Darkly

Conductor Zoe Zeniodi and 21st Ensemble, the work’s other dedicatees, provide shimmering accompaniment.
25/03/2019

Ginastera: Glosses – FSO

‘Zoe Zeniodi showed impressive podium authority and control in the last two of Ginastera’s Catalan-inspired Glosses for orchestra. The young
25/03/2019

Rachmaninoff: Piano Concerto no.2

‘Accompanied brilliantly by the St.Hugh-Steinway Orchestra under the baton of the young and talented Zoe Zeniodi, Berrocal demonstrated once more
25/03/2019

Sleeper: Hetaera Esmeralda

The piano writing is thorny and complex. Zoe Zeniodi, a conductor, pianist and former Sleeper student who has recorded the
25/03/2019

Frank Ticheli: An American Dream

‘Zeniodi coolly rose to the occasion, drawing stupendous playing from the students of the university’s Frost Symphony Orchestra…. Drew maximum
25/03/2019

Andy Vores: No Exit – FGO

‘With the players behind a barrier in the corner of the room, FGO assistant conductor Zoe Zeniodi conducts a fleet
25/03/2019

Schumann: Faust Overture – FSO

‘The concert opened by Zoe Zeniodi on the podium, in Schumann’s rarely heard Faust Overture. She skillfully brought out the